Behind the Rise of Unfiltered Wine, Sherry and Saké

sherry wine barrel in old cellar
Straight-from-the-cask en rama Sherry is a true expression of terroir. / Getty

With the rise of natural and low-intervention wines, producers are saying more by doing less. Many bypass a controversial step—filtration—as a way to create more expressive wines. But it’s not just winemakers who are turning away from squeaky-clean cuvées. Sherry and saké producers are also rethinking filtering. By doing so, some feel they’re not censoring the stories they want to tell.

The Beginner's Guide to Natural Wine

Filtration in wine

Filtration can occur at different points during the winemaking process. It may be employed to further clarify wine after racking, the post-fermentation process where wine is separated from solids that have settled at the bottom of a tanks.

Another process, sterile filtration, may be used right before bottling to ensure the wine is free of bacteria or harmful yeast. Proponents say it ensures that the wine will be shelf-stable, but detractors say careful winemaking eliminates its need and that the process strips wine of its character, especially when performed after racking.

For Brad Hickey, owner/winemaker at Brash Higgins in McLaren Vale, Australia, unfiltered wines rarely gained favor with clientele during the early stages of his wine career.

As he worked as a sommelier at New York City’s Bouley in the early 2000s, he recalls a few “breakthrough wines, like Newton Unfiltered Chardonnay, that were gaining popularity with drinkers.” But in general, wines needed to be pristine. Patrons even took issue with sediment and tartrates, two naturally occurring components that can appear in any wine.

Hickey says those experiences shaped him as a winemaker, and he sought to make “delicious wines with great stories. Wines that add something to the winemaking dialogue.”

“Those are the wines I used to buy, ones that could transport my guests somewhere else and that had a good backstory to amuse and educate,” he says.

Hickey counts his Nero d’Avola as the wine that set his trademark winemaking aesthetic. He planted the heat-happy Italian grape in McLaren Vale, then went to Sicily to research vinification techniques.

“Nobody [in McLaren Vale] that I knew had made wine in terracotta, so it was a new thing,” he says. “I decided to keep the wine on skins for six months, all of fall and winter, and to keep any sulfur to a bare minimum.” He now considers that sort of slow, thoughtful winemaking a hallmark of his style.

Not filtering the wines is also key to Hickey’s process. “For the most part, wine will naturally clarify over time,” he says, but he’s not adverse to a little cloudiness in the bottle.

“In the same way that a cloudy beer or cider can taste more interesting with some of the sediment still in, so can wine,” says Hickey. “We did a filtration trial on the ZBO (made from the Zibibbo grape) once, and it took all the fun out of the wine. The wine itself is made in such a primitive way, it also just seemed ridiculous to try and make it look like a New Zealand Sauvignon Blanc.”

Dark wooden barrels stacked
A Sherry wine cellar / Getty

Minimally filtered en rama Sherry

Much like Hickey, producers in the Sherry Triangle in southern Spain create bottlings of en rama (raw) Sherries to give more context to the region.

With Sherry, the concept of terroir takes a backseat to the solera system, where wine moves through barrels incrementally as it ages. New wines are blended with older wines until a consistent, desired style is achieved. Aging under a blanket of yeast called flor is another defining characteristic of some Sherries. But several years ago, winemakers sought to tell a terroir story in their own way.

González Byass, which released its 10th bottling of Tio Pepe En Rama this year, bypassed filtration to create a pure style of Sherry. It was a risk, as there was no guarantee the Sherry would be shelf-stable. But taking into consideration how expressive the wines were straight from the cask, it felt like a worthwhile venture.

“We didn’t wait for the fine flor deposit to settle properly, and the first edition of Tio Pepe En Rama had the color of a glass of skimmed milk,” says Mauricio González-Gordon, chairman of González Byass. The release piqued interest, and next year’s bottling garnered acclaim in the United Kingdom.

The fears of spoilage were unfounded, González Byass discovered. Rather, the unfiltered wines evolved differently over time. Today, the En Rama Sherry is a “means of talking a bit more about the work done in the bodega and to emphasize the uniqueness of these wines bred under flor,” says González-Gordon.

Lustau also offers its own interpretation of terroir with its 3 En Rama series of wines. A producer with bodegas in the three major Sherry towns, Jerez de la Frontera, Sanlúcar de Barrameda and El Puerto de Santa María, it bottled wines en rama from each location to highlight the microclimates and distinctive qualities. And Bodegas Barbadillo, credited with the first en rama in 1999, bottles four times a year to show the effect of the seasons.

White sake on a wooden table
Unfiltered saké / Getty

A true unfiltered saké

Probably the most misunderstood unfiltered beverage is saké. Contrary to popular belief, cloudy nigori saké is filtered, as it can go through a coarse filter and retain some of the rice particles. But often, brewers press the liquid to separate it from the saké lees, and then reintroduce the solids. However, there’s a style of unfiltered saké called muroka that’s gained traction with brewers.

“Saké was secondary to food in Japanese culture until very recently,” says Monica Samuels, director of saké and spirits at Vine Connections. “The best thing you could say about saké is that it’s not going to interfere with food. Saké was meant to be innocuous: light, clean and water-white in color.”

Saké’s crystalline tone can be achieved with charcoal filtration, a process known as roka, but some brewers consider it cheating.

“If you’re making your saké with a lot of precision, it should come out of the tank looking really good without having to add charcoal to take out the color,” says Samuels. “Saké that is muroka often has a touch of color, generally in the lemon-to-gold range, and a rusticity that is richer than when charcoal is added.”

Although not a legally defined term, muroka is often listed on labels alongside words that denote more powerful and intense styles of saké, like yamahai or genshu. Examples are the Mana 1751 “True Vision” and Senkin Modern Kamenoo.

“The more I asked consumers why they wanted to drink nigori, they said, ‘Well, it’s better for you, right?’” says Samuels. “They think it’s more natural and more like unfiltered wine, where nigori often has an extra step involved: press off the liquid and add the solids back in. So, if people are looking for something with less intervention, nigori sakés are not that, where muroka is.”

Published on August 7, 2019
Topics: Wine and Ratings


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